Auditory chronostasis: hanging on the telephone. Hodinott-Hill, I., Thilo, K.V., Cowey, A. Manual chronostasis: tactile perception precedes physical contact. Voluntary action expands perceived duration of its sensory consequence. Illusory perceptions of space and time preserve cross-saccadic perceptual continuity. Yarrow, K., Haggard, P., Heal, R., Brown, P. Temporal impulse response functions for luminance and colour during saccades. Optimal transsaccadic integration explains distorted spatial perception. Global transsaccadic change blindness during scene perception. Is visual information integrated across succesive fixations in reading? Percept. Failure to detect displacement of visual world during saccadic eye movements. Spatial localization precedes temporal determination in visual perception. Episodic theory of the dynamics of spatial attention. Attention gating in short-term visual memory. Lectures on the Elementary Psychology of Feeling and Attention (MacMillan, New York, 1908). Attention and the subjective expansion of time. The duration of a brief event in the mind's eye. Duration illusions in a train of visual stimuli. Suppression of contrast sensitivity during eyelid blinks. Dependence of visual suppression on the amplitudes of saccades and blinks. Stevenson, S.B., Volkmann, F.C., Kelly, J.P. Dynamic allocation of visual attention during the execution of sequences of saccades. Saccade target selection and object recognition: evidence for a common attentional mechanism. A representation of the hazard rate of elapsed time in macaque area LIP. Representation of time by neurons in the posterior parietal cortex of the macaque. The time course of perisaccadic receptive field shifts in the lateral intraparietal area of the monkey. Updating of the visual representation in monkey striate and extrastriate cortex during saccades. The updating of the representation of visual space in parietal cortex by intended eye movements. Perisaccadic mislocalization orthogonal to saccade direction. Postsaccadic visual references generate presaccadic compression of space. Apparent position of visual targets during real and simulated saccadic eye movements. Compression of visual space before saccades. Perceptual localization of visual stimuli flashed during saccades. Changes in visual perception at the time of saccades. Bullivant and Hudson both use strikingly innovative formal means in order to explore the blockages in time and space that underlie and qualify Bonobo’s utopian vision.Ross, J., Morrone, M.C., Goldberg, M.E. Financial capital passes quickly and seamlessly over the entire globe, while human bodies are all too often boxed in, shut out or even exterminated. Under the regime of globalised capitalism, not all substances transport themselves in time and through space with the same degree of ease. But the music videos for several of the tracks on this album – particularly Dave Bullivant’s video for ‘Kerala’ and Oscar Hudson’s video for ‘No Reason’ – tease out and complicate our sense of what is at stake in the processes of globe-spanning migration. The music blends multiple styles and sonic motifs from around the world in order to produce a cosmopolitan vision of multiple cultures, mutually influencing one another and coexisting in harmony. Bonobo’s 2017 album Migration is about shifting identities and passages from place to place: the migratory movement of bodies through space and time.
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